Wes Lee lives in New Zealand. Her latest poetry collection By the Lapels was launched in 2019 by

Steele Roberts Aotearoa in Wellington. Previous collections include Body, Remember launched in

London as part of the Lorgnette Series (Eyewear Publishing, 2017); Shooting Gallery (Steele Roberts

Aotearoa, 2016). And a chapbook of short fiction Cowboy Genes (Grist Books, University of

Huddersfield Press, 2014). Her writing has appeared in a wide array of literary journals and

anthologies in New Zealand, Australia and the UK including Best New Zealand Poems, Poetry London,

The London Magazine, The Stinging Fly, Westerly, Cordite, Magma, Landfall, Poetry New Zealand, New

Writing Scotland, The Stony Thursday Book, The New Zealand ListenerAustralian Poetry Journal. She has

won a number of awards for her writing including The BNZ Katherine Mansfield Literary Award;

The Bronwyn Tate Memorial Award; The Dan Davin Literary Award; The Short Fiction

Prize (University of Plymouth Press); The Over the Edge New Writer of the Year in Ireland; The

Saboteur Awards Best Anthology 2017 in London. She has been selected as a finalist in a number of

high profile poetry prizes including The London Magazine Poetry Prize, The Troubadour Poetry

Prize, and commended in the Poetry London Prize. Most recently she was shortlisted for the

Overton Poetry Prize 2019 for a sequence of poems, at Loughborough University in the UK; selected

by American poet Eileen Myles as a finalist for the Sarah Broom Poetry Prize 2018, and awarded

the Poetry New Zealand Prize 2019 by Massey University Press.

Wes Lee in Best New Zealand Poems

Wes Lee in Read NZ Te Pou Muramura (NZ Book Council)

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By the Lapels launched in 2019

by Steele Roberts Aotearoa

in Wellington

'Raw, frank, yet exquisitely crafted', By the Lapels is Wes Lee's second full-length collection of poetry.

An oblique narrative told in fragments, scenes half-glimpsed. The poems unfold, adopting a variety of

poetic personas, interrogating the body, interrogating memory, highlighting a tenuous sense of existence, a

constant negotiation with being in the world.

~

'In her second powerful collection, By the Lapels, Wes Lee shows that she shares Tony Beyer’s deeply mulled

poetic impressionism. The book reads as a novel-like narrative, each poem a slanted entry point to the

ongoing story. The first offering, ‘The Things She Remembers’ is a case in point. A list poem of snatched

image-moments... As in subsequent verses in the collection, this almost-comic set up, combining absurdity

with poetry, becomes – through a series of sharp authorial observations and linguistic twists – something

tragic and profound.' — Siobhan Harvey, Landfall Review Online, July 2020, Otago University Press

~

'By the Lapels is a diverse, edgy read grappling with contemporary issues ... Illuminated by sharp-eyed

observation, personal insight and, most of all, a generous sense of our shared humanity ... Wes Lee is a poet

with an artist’s painterly sensibility, a musician’s fine ear, an affinity for strangers and their plight.' —

Patricia Prime, Takahē 98, April 2020

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‘The work is full of dark intimations and melancholy ... One is pummelled by life and weirdly joyous at the

incredibly frank state of arrival of their own being in writing.’ — Eileen Myles, 

Sarah Broom Poetry Prize 2018

~

‘I was delighted by her ability to explore form and deploy a lucid, image-laden, evocative sense in

her writing ... I kept thinking as I read these poems what they constantly achieve is aligned with the logic

of écriture féminine, and of what Irigaray promised us women writers would eventually achieve: ‘Don’t weep.

One day we will learn to say ourselves.’ — Jen Webb, University of Canberra

~

'This is very powerful writing that doesn’t flinch from difficult, sometimes painful subjects. Dense with

visual imagery. Haunted by a sense of enclosure in so many different locations. ‘The wildness I carried away

with me’ seems to be the right phrase for the narrator and the reader after this collection.' – Kerry

Featherstone and Carol Rowntree-Jones, The Overton Poetry Prize 2018

~

'Such a strong collection. Dennis Nilsen's Dog Bleep especially, such a great poem! And Polaroids, a brilliant

tribute to Andrea Dunbar.' - Michael Stewart (Ill Will, HarperCollins 2018)

~

By the Lapels is available from ubiq books: University of AucklandUnity Books, Fishpond, or direct

from Steele Roberts Aotearoa.

Eyewear Publishing launches

Body, Remember in London

as part of the Lorgnette Series 2017

'Body, Remember' takes its title from a poem by the Greek poet C.P. Cavafy, who, in sensuous

imagery, illuminates the persistence and power of the body-memory of desire. Conversely, in this

pamphlet, Lee addresses the body’s capacity to hide, to deceive, and draw a veil of silence, to create

a blank space within when faced with trauma.

~

‘These poems are quiet, controlled and sparse, with an accurate ear for rhythm. Body, Remember is a

satisfyingly cohesive collection, each poem adding something to the previous and the next. I found

them intense, strong and immensely powerful.’ – Diane Brown - Landfall Review Online, Otago

University Press

~

'In a beautifully coherent cycle of 20 poems, Lee explores the memory of childhood trauma in its bodily

immediacy. Unembarrassed, she speaks it aloud, inhabiting the poetic space without shame ... Lee's minute-

by-minute physical reactions, the stuff that happens with breathing and muscles and skin, are never

pathologised or pitied — instead we are invited to trust in their concrete, corporeal logic and bear witness, as

the body does daily, to the terrible events that they index.' — Elisabeth Kumar,

Poetry New Zealand Yearbook 2020

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'In this powerful pamphlet, Wes Lee investigates how the body can play the role of both subject and

object... It is this lack of being that Lee captures so well, this idea that everything’s present but

something’s still missing.' – Callan Waldron-Hall, Sphinx: Poetry Pamphlet Reviews and Features,

2019

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‘In Body, Remember, Wes Lee catalogues a ‘domino of broken things’ with deft poignancy and dark

humour. She draws our attention to the fact, that even as we read and breathe, our bodies are in a

state of breaking.’ – Michael Stewart (Mr Jolly, 2016)

~

‘Wes Lee's beautiful, sobering collection gives a skeleton upon which to hang the intangible. It

speaks to transience, to trauma, to the inevitability of time passing.’ – S. J. Bradley

(Brick Mother, 2015)

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‘Amazing poems... very powerful.’ – Rosanna Hildyard

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Body, Remember is available in bookstores in the UK, and can be ordered online from the Poetry Book

Society, Amazon, Fishpond, and direct from Eyewear Publishing in London.

 

Shooting Gallery launched

in 2016 by Steele Roberts Aotearoa

in Wellington

'Shooting Gallery is stunning. The poems are assured, brave, and many have already been published

in a wide array of NZ and international journals... The body is prime. And although throughout the

collection pain and indignity are often a given, there is also a glorying in the physical, the sensual;

there is verve, and poems that punch the air celebrating survival... It is striking that in these poems,

no one is judged. The first thing that Wes Lee concerns herself with in Shooting Gallery is the

humanity of each person. Here, the last shall be first, and she ensures that, in this marvellous

collection, we know why this should be the case.’Carolyn McCurdie, Takahē Magazine

~

“The body is where you begin” could be a tag for this whole book of short sharp poems that knock

against your skull. There’s a woman living in a car, there’s a clown living in you, there’s a couple

living in a barn with a dog and a boar, there’s a memory living in a hotel, there’s a self living in a

mirror ... A book stuffed with tough stuff.’ – Murray Edmond, NZ Poetry Shelf

~

‘This is a collection of devastating beauty and power. It's rare to find poetry that can convey so

much, with such brevity.’ – SJ Bradley, author of Brick Mother, and editor, The Big Bookend

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‘With remarkable economy, Wes Lee conjures striking poetic images of the contemporary world.’

– Demos Journal 

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‘There are times in this tough-minded and tender-hearted book when you are persuaded that your

odds are not good. On the other hand there are moments – and moments matter for Wes Lee – when

the balance of the universe tips back in your favour.’ – Murray Edmond, Landfall 233: The 70th

Anniversary Issue

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Shooting Gallery is available from Unity Books, and can be ordered direct from Steele Roberts in

Wellington, or Fishpond

 

 


Cowboy Genes launched at the

Huddersfield Literature Festival 

in 2014 

'Of the five stories in Cowboy Genes, three struck me: Diseases from Space, The Gardenia Girls, and

especially Crash Test Dummies. If you are weary of cheap cynicism being passed off as profundity,

you’ll feel great empathy for Victor, the central character of this story, who yearns for things that are

life-changing, life-affirming.’ – Jim Greenhalf, Telegraph & Argus

~

‘A poignant and accomplished short story collection.’ – Jazz Croft, NZ Booklovers

‘In Wes Lee’s beautiful collection of short fiction, the shadow of death looms.’ – Michael Stewart

(Cafe Assassin, 2015)

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Cowboy Genes is published by Grist Books, University of Huddersfield Press and is available

from AmazonFishpond, and Inpress Books