Wes Lee lives in New Zealand. Her latest poetry collection By the Lapels was launched in 2019 by Steele Roberts Aotearoa in Wellington. Previous collections include Body, Remember launched in London as part of the Lorgnette Series (Eyewear Publishing, 2017); Shooting Gallery (Steele Roberts Aotearoa, 2016). And a chapbook of short fiction Cowboy Genes (Grist Books, University of Huddersfield Press, 2014). Her writing has appeared in a wide array of literary journals and anthologies in New Zealand, Australia and the UK including Best New Zealand Poems, Poetry London, The London Magazine, The Stinging Fly, Westerly, Cordite, Magma, Landfall, Poetry New Zealand, New Writing Scotland, The Stony Thursday Book, The New Zealand Listener, Australian Poetry Journal. She has won a number of awards for her writing including The BNZ Katherine Mansfield Literary Award; The Bronwyn Tate Memorial Award; The Dan Davin Literary Award; The Short Fiction Prize (University of Plymouth Press); The Over the Edge New Writer of the Year in Ireland; The Saboteur Awards Best Anthology 2017 in London. She has been selected as a finalist in a number of high profile poetry prizes including The London Magazine Poetry Prize, The Troubadour Poetry Prize, and commended in The Poetry London Prize. Most recently she was shortlisted for The Overton Prize 2018 for a sequence of poems, at Loughborough University in the UK; selected by American poet Eileen Myles as a finalist for the Sarah Broom Poetry Prize 2018, and awarded the Poetry New Zealand Prize 2019 by Massey University Press.
Wes Lee in Best New Zealand Poems
By the Lapels launched in 2019
by Steele Roberts Aotearoa
in Wellington
'Raw, frank, yet exquisitely crafted', By the Lapels is Wes Lee's second full-length collection of poetry. An oblique narrative told in fragments, scenes half-glimpsed. The poems unfold, adopting a variety of poetic personas, interrogating the body, interrogating memory, highlighting a tenuous sense of existence, a constant negotiation with being in the world.
‘The work is full of dark intimations and melancholy ... One is pummelled by life and weirdly joyous at the incredibly frank state of arrival of their own being in writing.’ — Eileen Myles, Sarah Broom Poetry Prize 2018
‘I was delighted by her ability to explore form and deploy a lucid, image-laden, evocative sense in her writing ... I kept thinking as I read these poems what they constantly achieve is aligned with the logic of écriture féminine, and of what Irigaray promised us women writers would eventually achieve: ‘Don’t weep. One day we will learn to say ourselves.’ — Jen Webb, University of Canberra
'This is very powerful writing that doesn’t flinch from difficult, sometimes painful subjects. Dense with visual imagery. Haunted by a sense of enclosure in so many different locations. ‘The wildness I carried away with me’ seems to be the right phrase for the narrator and the reader after this collection.' – Kerry Featherstone and Carol Rowntree-Jones, The Overton Poetry Prize 2018
'The Things She Remembers #1 is a truly remarkable piece ... It completely transfixed me.' — Jack Ross, Poetry New Zealand Prize, Massey University Press, 2019
'If I had to pick a standout poem, I would point to The Things She Remembers #1 by Wes Lee. It's a terrific poem, that's certainly one to remember.' — Harry Ricketts, Book Review — Poetry New Zealand Yearbook 2019, Nine to Noon, June 4, Radio New Zealand National
'I was hooked by Wes Lee‘s winning tour-de-force of a poem, The Things She Remembers #1. Phrases accumulate like a rollercoaster memory pulling you along in a blaze of sharpness and surprise.' — Paula Green — review of Poetry New Zealand Yearbook 2019 - NZ Poetry Shelf
'The winners of the Poetry New Zealand Prize for 2019 are especially enthralling. Wes Lee’s first prize poem The Things She Remembers #1 is a swoon of images that shout and burst.' — Emma Shi, Book Review — Poetry New Zealand Yearbook 2019, The Reader: The Booksellers New Zealand Blog
'I loved it. Such a strong collection. Dennis Nilsen's Dog Bleep especially, such a great poem! And Polaroids, a brilliant tribute to Andrea Dunbar.' - Michael Stewart (Ill Will, HarperCollins 2018)
By the Lapels is available from Unity Books, Fishpond, or direct from Steele Roberts Aotearoa.
Eyewear Publishing launches
Body, Remember in London
as part of the Lorgnette Series 2017
Body, Remember takes its title from a poem by the Greek poet C.P. Cavafy, who, in sensuous imagery, illuminates the persistence and power of the body-memory of desire. Conversely, in this pamphlet, Lee addresses the body’s capacity to hide, to deceive, and draw a veil of silence, to create a blank space within when faced with trauma.
‘These poems are quiet, controlled and sparse, with an accurate ear for rhythm. Body, Remember is a satisfyingly cohesive collection, each poem adding something to the previous and the next. I found them intense, strong and immensely powerful.’ – Diane Brown - Landfall Review Online, Otago University Press
'In a beautifully coherent cycle of 20 poems, Lee explores the memory of childhood trauma in its bodily immediacy. Unembarrassed, she speaks it aloud, inhabiting the poetic space without shame ... Lee's minute-by-minute physical reactions, the stuff that happens with breathing and muscles and skin, are never pathologised or pitied — instead we are invited to trust in their concrete, corporeal logic and bear witness, as the body does daily, to the terrible events that they index.' — Elisabeth Kumar, Poetry New Zealand Yearbook 2020
'In this powerful pamphlet, Wes Lee investigates how the body can play the role of both subject and object... It is this lack of being that Lee captures so well, this idea that everything’s present but something’s still missing.' – Callan Waldron-Hall, Sphinx: Poetry Pamphlet Reviews and Features, 2019
‘In Body, Remember, Wes Lee catalogues a ‘domino of broken things’ with deft poignancy and dark humour. She draws our attention to the fact, that even as we read and breathe, our bodies are in a state of breaking.’ – Michael Stewart (Mr Jolly, 2016)
‘Wes Lee's beautiful, sobering collection gives a skeleton upon which to hang the intangible. It speaks to transience, to trauma, to the inevitability of time passing.’ – S. J. Bradley (Brick Mother, 2015)
‘Amazing poems... very powerful.’ – Rosanna Hildyard
‘Eyewear Publishing is an independent press based in London. Strongly poetry focused, we bring readers a varied list, kept coherent by our dedication to presenting writing of the highest quality from the UK and overseas, from new and established figures. Through our annual Melita Hume Poetry Prize, and Pamphlet Series, we discover, support and develop exciting new talent.’ – Todd Swift
Body, Remember is available in bookstores in the UK, and can be ordered online from the Poetry Book Society, Amazon, Fishpond, and direct from Eyewear Publishing in London.
Shooting Gallery launched
in 2016 by Steele Roberts Aotearoa
in Wellington
'Shooting Gallery is stunning. The poems are assured, brave, and many have already been published in a wide array of NZ and international journals... The body is prime. And although throughout the collection pain and indignity are often a given, there is also a glorying in the physical, the sensual; there is verve, and poems that punch the air celebrating survival... It is striking that in these poems, no one is judged. The first thing that Wes Lee concerns herself with in Shooting Gallery is the humanity of each person. Here, the last shall be first, and she ensures that, in this marvellous collection, we know why this should be the case.’ – Carolyn McCurdie, Takahē Magazine
“The body is where you begin” could be a tag for this whole book of short sharp poems that knock against your skull. There’s a woman living in a car, there’s a clown living in you, there’s a couple living in a barn with a dog and a boar, there’s a memory living in a hotel, there’s a self living in a mirror ... A book stuffed with tough stuff.’ – Murray Edmond, NZ Poetry Shelf
‘This is a collection of devastating beauty and power. It's rare to find poetry that can convey so much, with such brevity.’ – SJ Bradley, author of Brick Mother, and editor, The Big Bookend
‘With remarkable economy, Wes Lee conjures striking poetic images of the contemporary world.’ – Demos Journal
‘There are times in this tough-minded and tender-hearted book when you are persuaded that your odds are not good. On the other hand there are moments – and moments matter for Wes Lee – when the balance of the universe tips back in your favour.’ – Murray Edmond, Landfall 233: The 70th Anniversary Issue
Shooting Gallery is available from Unity Books, and can be ordered direct from Steele Roberts in Wellington, or Fishpond
Cowboy Genes launched at the
Huddersfield Literature Festival
in 2014
'Of the five stories in Cowboy Genes, three struck me: Diseases from Space, The Gardenia Girls, and especially Crash Test Dummies. If you are weary of cheap cynicism being passed off as profundity, you’ll feel great empathy for Victor, the central character of this story, who yearns for things that are life-changing, life-affirming.’ – Jim Greenhalf, Telegraph & Argus
‘A poignant and accomplished short story collection.’ – Jazz Croft, NZ Booklovers
‘In Wes Lee’s beautiful collection of short fiction, the shadow of death looms.’ – Michael Stewart (Cafe Assassin, 2015)
Cowboy Genes is published by Grist Books, University of Huddersfield Press and is available from Amazon, Fishpond, and Inpress Books